By Pam Vetter in New Mobility magazine:

The ad features a simple yet radical idea: a typical day in the life of a wheelchair user. She fixes her makeup, wheels out to her car in the rain, gets in. The car won’t start. She gets the chair out of the car, wheels to the bus stop, gets on, rides, gets off at a school. The gate is locked. She ducks under, wheels up to a polling place and — casts her ballot.

Voiceover: Every day, millions of people choose to do the right thing. There’s an insurance company that does that, too. Responsibility. What’s your policy? Liberty Mutual Insurance.

The 60-second spot is part of a national ad campaign by the insurance giant, and features Teal Sherer, an actress who uses a wheelchair in real life (above). A positive message about civic responsibility is teamed with an authentic representation of a person with a disability, living a productive life in the community. No pity, no suffering — and no excuses not to vote.

“I think what Liberty Mutual is doing is groundbreaking,” says Sherer.

Check out Sarah Reinertsen in the new Nike women’s catalog. Yes, her blade is clearly visible but you have to scroll down. Reinertsen was the first female above-knee amputee to complete the Ford Ironman World Championship. Here’s a Nike interview with her.

Her website is here, earlier post here.

From the Portland Oregonian, [Eugene, Oregon] Register-Guard

“BEER WITH STEVE”

Opening voiceover: “U.S. Senate candidate Steve Novick fought corporate polluters and defeated Bill Sizemore. But would you want to have a beer with him?”

The visual: Oregon primary candidate Novick is talking politics at a bar while the man on the next stool struggles to open a beer bottle.

The action: Novick uses his left hook to wrench the top off, then returns to his political message.

Closing voiceover: “Steve Novick — he’s always found a way to get things done.”

_______

“Beer with Steve” is part of a broader advertising strategy to weave a serious message of progressive change with humor about Novick’s unconventional physical appearance. The candidate is 4-foot-9 and was born without the lower part of his left arm and the leg bones between his knees and his feet, the result of a drug prescribed to his mother during pregnancy.

The candidate says the decision to go with a “politics as unusual” theme is a natural, since he’s spent his life using humor to put people at ease. So far, the strategy seems to be winning lots of attention for the previously little-known Novick.

The ad has been viewed more than 70,000 times on Youtube, and won him a fawning interview on the Fox network.

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Kenneth Cole models include people with disabilities, an injured American soldier, a woman covered with tattoos, a Sikh, a gay married couple and their daughter, an HIV-positive woman and others

From Women’s Wear Daily, Fox Business:

When you look at the photo at left, what do you see? An attractive young woman in a short skirt who seems to be thrusting her hips in the universal language of sexual come-on. Only later does it hit you. Those high heels she’s teetering on are attached to prosthetic legs.

Aimee Mullins is president of the Women’s Sports Foundation, a Georgetown University graduate with dual degrees in history and diplomacy. But the reason she was chosen for the cover photo of the Kenneth Cole spring ad campaign is that she challenges conventional wisdom: She’s an accomplished woman who is also a double amputee, the result of being born without fibula bones in her legs.

The campaign, called “We Walk in Different Shoes,” carries the tagline “25 years of non-uniform thinking.” It features 11 people who “live their lives in non-uniform ways, either by choice or circumstance,” and will be carried in magazines such as Vogue, Men’s Health and Vanity Fair.

The juxtaposition of a double amputee with a Sikh, an athlete in a wheelchair and a woman covered with tattoos is thought-provoking indeed. What do they have in common (other than selling shoes, that is?) Here are some excerpts from their personal statements, found in video on the Kenneth Cole website:

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Now Pepsi has issued a video about the making of “Bob’s House,” the soundfree Super Bowl commercial about the two deaf guys on a dark night who figure out where their friend lives by honking their horn until all the other neighbors turn on their porch lights. (They can tell which house is Bob’s because the porch light stays off.) The commercial has been hailed as “ground-breaking” by the National Association for the Deaf because it features American Sign Language.

Funny, right? And yet one wonders: isn’t the ad also presenting its characters as rude, self-centered, disruptive troublemakers? Is this the way that people with hearing impairments want to be portrayed? Or is it the price they have to pay to get a berth on primetime TV? Just had to ask …

While we’re on the subject of people with disabilities hawking products, check out the Lincoln MKZ ad on page 3 of this morning’s New York Times magazine. It features the lovely Sarah Reinertsen, clad in a short-short workout suit that shows off her prosthetic leg and blade. Reinertsen is the first female amputee to compete and finish the Ford Ironman Triathlon Kona, a 2.4-mile swim, 112-mile bike ride and 26.2-mile run.

Unlike the Pepsi Super Bowl ad, which relies on humor to challenge expectations and celebrate diversity, this one serves up a double helping of the traditional “triumph over adversity” disability message. An excerpt:

Don’t ever give up on what you believe in. Not once. Not ever. My dream is to do extraordinary things every day …

… My parents always treated me like any other kid. And when I fell, my mom didn’t always rush to pick me up. “Sarah’s going to pick herself up.” it was a really important lesson for me to learn. For me to keep up, I always had to be tougher than the rest. And I think that’s still true today.

The magazine spread is keyed to the Lincoln “Dreams” ad campaign, kicked off during an NBC NFL broadcast in October. The TV version shows Reinert driving through New York City in a luxury Lincoln, stepping out to reveal her prosthetic leg and joining a group on a run through the city. On Youtube.

From USA Today , the Dallas Morning News and Youtube:

It sometimes seems that viewers watch the Super Bowl more for the commercials than for the football. With through-the-roof ratings in store, sponsors and advertising agencies can be counted on to trot out their most daring and entertaining work. Remember the frogs that croaked “Budd” “Weis” “Er”?

This year, Pepsi’s trying to capture hearts and minds with a 60-second spot that will have viewers across America reaching for their remotes. It has no soundtrack — just silent video of what is described as a classic joke from the deaf community. It goes like this. A couple of guys drive to their friend Bob’s house at night. When they can’t figure out which house is his, they honk the horn. A lot. The house that doesn’t turn on the lights is Bob’s.

Two of the actors featured in the ad are deaf; another is Clay Broussard, the Pepsi employee who came up with the idea.

Bobbie Beth Scoggins, president of the National Association of the Deaf, told the AP that it’s a historic first for an ad featuring American Sign Language to get such prominent play. And who knows? Perhaps this public celebration of human diversity will win Pepsi a few more customers — which is, after all, what it’s all about.

For more on portrayals of people with disabilities in advertising, check out this perceptive essay by Beth Haller from the Baltimore Sun. She has just launched a new blog called “Media Dis&Dat: Reflections on media images of people with disabilities and disability issues …”